King Richard Iii and Looking for Richard Essay Plan

ESSAY PLAN debut * Both Shakespeares Richard three close to and Al Pacinos smell for Richard some(prenominal) mortalate central values and ideas of the time. * The texts ideas are reflected by the context of the time. * Both texts written in different time periods meaning tot whollyy different contexts which shape the text. * Through Pacinos hybrid style docudrama, he attempts to elucidate Shakespeares Richard III, making it more than social to the everyday person. Shakespeare shows the journey in Richard III of Richard himself on his dark quest to worthy king by both apply his literary skills and performance to attain what he wants, ultimately organism causality. * Both texts wont propaganda but whereas Shakespeare whollyudes to the Tudor Myth which is manipulate himself to his patrons. Whereas Pacino is macrocosm more provocative. He is intriguing the authority that the British literary manhood has oer Shakespeare. * Both texts also drill performance to connect ideas between the dickens Para 1- Richard III * Context contend of the Roses now that his ho call has won the battle.He wants to be king Tudor Myth had to pull wires to the Tudor house and up admiration their reign. This too is whiz of Pacinos main challenges as he is expressing an egalitarian society where all people and their views are equal as he speaks to sundry(a) people on the street. However Shakespeare had to ingratiate his monarch, the Tudor domicile and ensure Tudor patronage. * Throughout the ideal play, Shakespeare depicts Richard as a monstrous Machiavellian. Who Nicollo Machiavelli exposit in his book which was written in Shakespeares time is when a person may use craft or deceit in order to notice or achieve part.Shakespeare presents Richard in this manner as he was from the House York which is what the Tudors foreign when they first came to power. * Opening soliloquy con Richards true component part and his intentions in the play. Recognises him self in the play, I am determined to levy a villain. Metafiction shown. Richard feels that he needs to disc all over into power to make up for him macrocosm rudely stamped, and Cheated of feature by sham nature. * Shakespeare exaggerates and devalues Richard in this manner to perpetuate the Tudor myth whilst demonising Richard, which institutes the Tudor reign as one of providence and divine sanctioning.Para 2 looking for Richard * CHALLENGES Pacino isnt challenging the true(a) information and ideas expressed in Richard III. hardly rather he is challenging the British literary world, and their belief that they cast all the association to Shakespeares plays. He does this ceaselessly through with(predicate)out the entire involve, showing scopes of British scholars where he has put them on the stead making them awaitm as if they beart know anything. A capacious example of this is when he is interviewing Emrys Jones, a well-known Shakespeare academic and he is ask ed a interrogative mood to which he responds, I dont really know the answer. Straight external the context is cut and immediately followed by a different scene of Pacino explaining only what the British scholar couldnt. The constant use of cutting and framing different scene helps Pacino not only challenge the British literary world by boastful them the message that he and numerous otherwise Ameri thunder mugs which he interviewed on the streets hold noesis about Shakespeare. But also, the fact that he can make it into a film as well proves that they are rail at that the actor holds the power to. You want to do it wiz your American accent? Shows conflict which stirs the audiences image that Pacino can produce a successful chance variable of the play. Pacino challenges not only this question, but the veridical theory that Shakespeare put forward * REFLECTS I do believe however that in this aspect of Looking for Richard, Pacino challenges the ideas more. In one scene of th e play Pacino and Kimball travel to England and dish the dirt the house which Shakespeare grew up in, in forecast that they would achieve some sort of epiphany of knowledge about the plays. Linking back to the point that the British believe they own the knowledge on Shakespeare.However they find that they did not feel any epiphany or difference at all, proving at once more that the British do not hold all the power and knowledge over Shakespeare and his plays and that actors like himself can possibly hold more knowledge that the academics and scholars. Para 3 Richard III performance * Lady Anne scene Richard turns from the monstrous Machiavellian character we see throughout most of the play, into a senti custodytalist wooer. He uses rhetorical language such as pathos to connect with her emotions which assists him in essentially capturing Lady Anne.The fact that Richard had notwithstanding killed her husband King Edward, with her still being with his coffin just makes Richar d seem raze more powerful as he still manages to pull Lady Anne into marrying him. Although in this scene Lady Anne proves to hold the knowledge of language too as in that location is constant stichomythia between the two characters through most of the scene but the variant which best shows this is when Richard says Bid me kill myself. I will do it. And Lady Anne responds with I have already. Showing that she can be quite witty too, but not enough for Richard. Pacino shows his power of being conductor by taking out a lot of the stichomythia between Richard and Lady Anne which removes some of her agency, that ca utilize Richard to seem more powerful, convince and in control. Para 4 Looking for Richard performance * CHALLENGES Penelope Allen shows the power of both the actor and method acting. It challenges the fact that women had no dominant role in society, whereas in this scene of Looking for Richard, we see her using method acting to get into character in rehearsal and r aise her articulation over all the other men and women in the room when she says, If he were dead, what would happen on me? Pacino provides the point here that using performance to alter into character, can fall by the wayside women to be completely dominant over men in a juvenile society. * REFLECTS Both Pacino and Shakespeares Richard both pitch character to essentially get what they want. Richard, scatty power to be king. Pacino wanting power over his film. Pacino, the star actor and also director of his own film, changes character various times throughout the film.One of the key scenes depiction his want for power is when he is being the actor and discussing a few lines in the play with his assistant director, Kimball and Pacino decides to completely change the script. G of Edwards heirs the murderer shall be. Is what the line commonly says. But Pacino changes it to, C of Edwards heirs the murderer shall be. This gives Pacino the power as he now has control over both the film and its script. He changes this as he believes it will be easier for people to understand and ultimately once again make the play more accessible for the audience.